UNA LUCERTOLA CON LA PELLE DI DONNA
A LIZARD IN A
WOMAN'S SKIN
Italy 1971
D: Lucio
Fulci.
P: Edmondo
Amati for Atlantida Films, International Apollo, & Les Films Corona//St
& Sc: Lucio Fulci, Roberto Gianviti, Jose Martinez Molla, & André
Tranche//DP: Luigi Kuveiller//E: Vincenzo Tomassi//M: Ennio Morricone//Art
Direction: Maurizio Chiari//Makeup: Carlo Rambaldi
Cast:
Florinda Bolkan, Stanley Baker, Jean Sorel, Alberto De Mendoza, Anita
Strindberg, Jorge Rigaud, Leo Genn, Silvia Monti.
Carol Hammond
(Florinda Bolkan) tells her psychiatrist about her dream of murdering her next
door neighbor Julia (Anita Strindberg). When the neighbor turns up dead and
Carol's fur coat and dagger are found near the body, Inspector Corvin (Stanley
Baker) arrests her. Her husband (Jean Sorel) and father (Leo Genn) are both
lawyers and base their case on the testimony of Carol's psychiatrist (Jorge
Rigaud), Dr. Kerr. It allows her to be released on bail where she is soon
menaced by a red-haired hippie that also appeared in her dream. More deaths
occur (including Carol's stepdaughter and father) before we discover the real reason behind the killings.
Stanley
Baker's role as Corvin redefines the
term "wooden performance" with his appearance in this one. Geez, what
a stiff!! Mostly known for its infamous dog "evisceration" scene by
Carlo Rambaldi, the film features Fulci's truly paranoiac vision of how the
Sixties generation screwed up. His laughably unenlightened view of what
constitutes a bad LSD trip is comparable to REEFER MADNESS during the
thirties. There are a lot of highlights anyway, including another fine score by
Morricone and a superlative performance by Florinda Bolkan as the suspected murderess.
Anita Strindberg as the lesbian/murder victim shows her adept at playing sluts,
bitches, saints, murderess or victim. Fulci's shining moments as a director
come during the dream sequences. They are quite effective in this topnotch
Giallo by a director who went on to bigger, but not necessarily better things.
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