L'IGUANA DALLA LINGUA DI FUOCO
THE IGUANA WITH A TONGUE OF FIRE
D: Willy Pareto (Riccardo Freda)
P: Alfonso Donati for Oceani, Les Films Corona, &
Terra Filmkunst//Sc: Riccardo Freda,Gunther Ebert, Alessandro Continenza, André
Tranche//DP: Silvano Ippoliti//E: Riccardo Freda//M: Stelvio Cipriani//Art D:
Chevalier Mifsuo//Costumes: Nadia Vitali//Makeup: Lamberto Marini
Cast: Luigi Pistilli, Dagmar Lassander, Anton Diffring,
Valentina Cortese, Dominique Boschero, Werner Pochath, Renato Romano, Arthur
O'Sullivan, Sergio Doria, Ruth Durley.
The
disfigured body of a young woman is found in the trunk of Ambassador Sobiesky's
automobile. Due to the delicate nature of the Ambassador's standing (and his
refusal to cooperate), the police assign Inspector Norton to go undercover and
strike up an affair with Sobiesky's daughter, Helen. Norton (who has a history
of police brutality) discovers the Sobiesky clan has a few skeletons in their
familial closet. There is a son who is ostracized from the family, a wife who
so hates her husband, she threatens him at every opportunity, numerous
mistresses, and disgruntled servants. All of these people appear to have a
motive for wanting Sobiesky dead. More murders occur (using a vial of acid and
straight razor as weapons), before it's revealed that there were actually two
murderers: one who so hated the Ambassador that he wanted to kill everyone
associated with him and two, another who used the activities of the real
killer, to knock off people he no longer had any use for.
I know
Riccardo Freda is respected as the first modern day Italian horror filmmaker,
but quite frankly, I find a lot of that ground-breaking work so restricted by
the moral climate of the time, to be boring. Freda's films from the seventies
are much more suited to my sensibilities. IGUANA is an entertaining thriller
and it has a decidedly nasty edge to it at every plot turn. The killings are
quite graphic and mean-spirited and the nudity on display reveals plenty
(especially featuring Pistilli's nymphet-like daughter). It's a real
pleasure to see Luigi Pistilli get an opportunity to play the lead role for a
change.It's a shame he became despondent in his later years and committed suicide. He gets to ride a motorcycle and even has a nice nude lovemaking
sequence with Dagmar Lassander. The film also pokes fun at genre conventions
when, after viewing the film, you realize Freda told us who the killer was, 30
minutes into the film! Cipriani's use of strings in the musical score appears
to make everyone a suspect at one time or another. Finally, I had to laugh when
it was revealed that Anton Diffring's decidedly Germanic Ambassador has his
clothes cleaned at "Swastika Cleaners!"
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