Gatti Rossi In Un Labirinto Di Vetro
Sales Title:
Wide-Eyed in the Dark
US Video
Title: Eyeball
Italy-Spain
D: Umberto Lenzi
P: José Maria Cunilles//St &Sc: Felix Tusell &
Umberto Lenzi//DP: Antonio Millan//E: Amadeo Moriani//M: Bruno Nicolai//Art D:
Jose Massague//Color
Cast: John
Richardson, Martine Brochard, Inez Pellegrin, Silvia Solar, Jorge Rigaud,
Martha May as Alma, Daniele Vargas, Andres Mejuto, Raf Baldassare, Jose Maria
Blanco, John Bartha, Olga Pehar.
An eclectic
group of Americans are touring Barcelona by bus. Before long, this diverse
gathering (which includes a priest, executive with his mistress, a lesbian
couple, a husband and wife who fight all the time and others) begin to be
decimated by a maniac with penchant for removing his victim's eyeball. Each
tourist seemingly has a reason for being the orb snatching killer, however
blame finally rests on a person who lost his/her eye while playing doctor as a
child. She is now psychotically trying to replace it by killing those around
her.
The only
misstep in Umberto Lenzi's prolific career in the genre, one has to believe the
addition of graphic gore to his bag of tricks was not a welcome one (unlike
Sergio Martino, whose Torso was both extremely violent and a taut thriller to
boot). No doubt Lenzi was more comfortable making thrillers that relied on
eroticism (the many films he made with Carroll Baker) rather than grue. He
allows everyone to overact shamelessly which throws the entire mood of the
movie off kilter. It becomes ludicrous after a while with every move someone
makes framed as if he was the guilty party (a man can't even shave without
coming across as a potential maniac). This mostly Spanish production boasts
fine photography by Antonio Millan and a host of familiar faces—Jorge Rigaud,
Silvia Solar and Mirta Miller from that country's film industry—but it's not
enough to overcome the handicap of a poor script. Fortunately for Lenzi his
career would rebound and head off into another genre, Crime Films, where he did
his most interesting work.
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